Fa
Zang (法藏,
643-712) was the third patriarch of the Hua Yan sect (華嚴宗)
of Buddhism. He was not a Chinese, but originally came
from today's Samarqand, Uzbekistan. His ancestors were
nomads who settled down in a country near western China.
Fa Zang's father became the ambassador to the Tang Dynasty
court in China, so Fa Zang also grew up in China.
In 659, when Fa Zang was 16 years old, he followed the
crowd one day to the famous Fa Men Temple in today's
Shaanxi Province in central China. He was pushed into the
temple as the crowd swarmed in to worship. Not knowing
why, he approached a candle and placed his finger in the
flame! Witnesses were stunned. "He's burning his
finger as his tribute to the Buddha!" someone
shouted. The ruckus drew everyone's attention to Fa Zang.
People covered their mouths in amazement, and some
prostrated themselves before the giant statues in the main
hall.
The young man's act might seem unbelievable and crazy
nowadays, but fervent Buddhists at that time considered
him brave and heroic. Making an offering to the Buddha is
a natural thing to do for Buddhists: some copy sutras by
hand, and some pay others to copy sutras; some donate
money to temples or monks, and some donate their own
bodies! People would burn their fingers or even bodies in
tribute to the Buddha because Offering is one of the Six
Paramitas, or Six Perfections, which refer to six ways for
a Buddhist to carry out his spiritual cultivation. Burning
one's body or fingers is the highest type of Offering.
Offering means to give something to someone in need, and
helping another person grants blessings to the giver in
return. Buddhists should share their merits with other
people. Then, how does one go about transferring the
merits of Offering (in this case, the burning of one's
body) to others? The burning must be carried out in public
to serve as a model or example. Then it will encourage
others to vow to seek enlightenment.
Fa Zang finally lost consciousness and fell to the
ground. People around him immediately applied some
medicine to his burnt finger and wrapped it with a
bandage. Then they carried him home on a stretcher.
Fa Zang's mother wept over her son's injured finger,
and his father was furious. When Fa Zang woke up, he
stumbled around until he saw his parents in the living
room. His father yelled, "Are you crazy or what? This
isn't the way to offer tribute to the Buddha! You know
nothing about the Buddha's teachings and yet you disgraced
the whole family with your stupidity!" The angry
father then explained that burning one's finger is for
true bodhisattvas who have attained enlightenment. The
Lotus Sutra described how Bhaisajya-raja Bodhisattva burnt
his own arms as his tribute to the Buddha, and when it was
over his arms grew back again! This was because he had
carried out his spiritual cultivation for millions of
years over many lifetimes, and he had become a true
bodhisattva who could truly give up his body for a greater
good with no regret. He did it to show his gratitude to
the Buddha, and when he burnt his arms he sensed no pain.
"But you! You haven't reached that level, yet you
foolishly tried to do something that was beyond your
ability," shouted the father.
His father stopped to drink some water, and it seemed
that the yelling had released some of his anger. But then
he continued, "You have now made yourself famous! The
whole capital now knows that my son, Fa Zang, burnt his
own finger as a tribute to the Buddha. Some people even
came to our home and asked for a chance to worship
you!"
Fa Zang knelt before his parents and apologized to
them, but his father would not let him off the hook so
easily. "Our ancestors used their minds to pay
tribute to the Buddha. The mind, my son! Not burning your
finger! You have corrupted yourself and made yourself fit
only for a lower realm."
Fa Zang lowered his head and said, "Yes, Father, I
now know I was wrong."
His father sighed. "Buddhism is so vast and
profound that you simply can't grasp the whole
picture."
"Yes, Father. I've been thinking about what I
should do, and I've decided to study in a quiet
place."
"Where do you want to go?"
"Mount Tai Bai (太白山,
also in modern Shaanxi Province)."
His father nodded his head. "Fair enough! It
sounds like an ideal place for you to repent your
folly."
Mount
Tai Bai is famous as a sacred Taoist ground dotted with
many Buddhist monasteries. Fa Zang spent three years there
studying various sutras. Then he left the mountain and
joined Hsuan Tsang's translation team (see Hsuan Tsang's
story in the Summer 2000 issue of the Tzu Chi Quarterly).
However, he didn't stay long; he left because he differed
with Hsuan Tsang over some philosophical aspects of Hsuan
Tsang's Fa Xiang School of Buddhism.
Nevertheless, he still kept in touch with some of the
monks there, including Yuan Ce (圓測),
a Korean monk. One day, Yuan Ce told him that some monks
from his own hometown had gone to study under the famous
Master Zhi Yan (智儼),
the second patriarch of the Hua Yan sect.
This sect of Buddhism focused on the Hua Yan Sutra (華嚴經,
or Avatamsaka Sutra). The core of the sect's philosophy
was the conditional happening of everything in the
universe. In the Hua Yan point of view, everything and
everyone in the universe appears or disappears when
conditions are ripe. When conditions warrant the
appearance of certain events or living creatures, those
events or creatures will appear; conversely, when the time
has come for the events or creatures to disappear because
the supporting conditions are fading or falling apart,
those events or creatures will disappear. Because the
appearance and disappearance of everyone and everything is
conditional, no person or thing exists forever, and thus
there is no such a thing as the existence of fixed nature.
Things and people come and go like the blowing wind.
When Fa Zang heard Zhi Yan's name, a light flashed
inside his head. The famous monk had also been staying in
one of the temples on Mount Tai Bai, although Fa Zang
never met him at that time. He decided to follow this
master, and so he went to visit Zhi Yan. After a long
talk, the great man praised Fa Zang as being very
knowledgeable, and he even declared that Fa Zang could be
the next patriarch of the Hua Yan sect!
Fa Zang was still a lay follower, not a monk, so his
priority was to be ordained as a monk. At that time,
people who wanted to become monks had to abide by strict
government laws. They had to live in temples and take up
the basic Five Precepts: no killing, no stealing, no
fornicating, no lying, and no consumption of alcohol. They
had to learn all the available sutras and do all the work
expected of monks while waiting for their chance to be
ordained.
The government held admission examinations for
candidates. If they passed or if they received special
favor from the government for special deeds, they could
have their heads shaved and they would receive
certification from the government. Afterwards, they would
wait for the proper time, such as when they reached legal
age or when a precept-granting ceremony presented itself.
Then they could receive the precepts and became true
monks.
Unfortunately, when Zhi Yan died at the age of 67 in
668, Fa Zang was still ineligible to become a monk.
Nevertheless, before Zhi Yan passed away, he announced to
other monks that Fa Zang would be the next patriarch, and
he instructed them to help him receive his ordination.
In 670, the mother of Empress Wu Ze-tian (武則天)
passed away. To commemorate her mother, the empress
ordered that her mother's house be converted to a Buddhist
temple, Tai Yuan Temple, and she ordered the most
venerable monks to recommend someone to take charge of the
new temple.
This created a huge response from the Buddhist
congregations. Many monks knew that this was a very
prestigious position. Hui Su (see the Fall 2005 issue of
our Tzu Chi Quarterly), Dao Cheng (who was once Hui Su's
master), Kui Ji (Hsuan Tsang's disciple), and several
other venerable monks all nominated Fa Zang for the
prestigious position. The empress was deeply surprised to
see Fa Zang's name appearing repeatedly in all the letters
of recommendation. She was even more amazed to find that
Fa Zang had not yet been ordained and was only 28 years
old. All the evidence showed that the young man was very
highly regarded by this group of venerable monks. The
powerful empress realized that Fa Zang must be a most
exceptional person. Accordingly, she decreed that Fa Zang
would take charge of Tai Yuan Temple. This was the first
time in the history of Chinese Buddhism that a layperson
would become the abbot of a temple that belonged to a
royal family.
People familiar with Chinese history can say that
Empress Wu was actually the only powerful "female
emperor" throughout the 4000 years of Chinese
history. All the previous emperors of the Tang Dynasty
preferred Taoism to Buddhism because many Taoist masters
had made tremendous contributions in helping Gao Zu, the
founding emperor of the Tang Empire, to ascend to the
throne. In public, the emperors often kept Taoism,
Buddhism and Confucianism in balance so that they could
tightly rule the nation without offending any religions or
schools of thought. Unlike her predecessors, Empress Wu
was very much pro-Buddhist since both her parents were
Buddhists, and since she was so positively influenced by
eminent Buddhist monks such as Fa Zang and Shen Xiu (神秀)
of the Ch'an sect. Besides, unlike her predecessors,
Empress Wu did not feel that the Taoist masters had
particularly helped her to reach the top of the hierarchy.
With her support, Buddhism flourished during the Tang
Dynasty and all the dynasties to come.
When Fa Zang was 32 years old, he finally received
special permission from the empress to have his head
shaven and receive his full precepts to become a monk. His
position thus had become truly solidified because he was
not only a monk, but also the abbot of a temple as decreed
by the empress. Furthermore, he was granted permission to
enter the palace to meet the empress anytime he wanted. No
one else had the same privilege. People saw Fa Zang as
someone closely linked to the empress, the center of
political power, and those hungry for power or position
would often visit Fa Zang, hoping that he would put in a
word for them with the empress. Fa Zang knew exactly what
was on their minds, but he maintained his disinterest in
politics and focused on Buddhism.
Empress Wu had a very profound relationship with
Buddhism. The beautiful and inspirational Buddhist
philosophy suited the personality of the highly
intelligent empress, and she had been fascinated by it
since her youth.
The empress was spellbound by the Hua Yan Sutra, but
even she failed sometimes to grasp its critical philosophy
and rigid logical organization. To make her understand, Fa
Zang used the example of a golden lion to explain the
conditional existence of the universe. He explained that
an artisan could create a golden lion because he had some
gold. Therefore, the gold lion was created by certain
conditions: the artisan, the gold, and the equipment used
to make it. Because the lion was formed by these
conditions, it was in itself empty by nature. It was not
real. It was merely a phenomenon of a certain shape, size,
luster, color, and hardness. The gold could as well be
molded into a gold horse, a gold dog, or many other things
based on different conditions.
When she heard his exposition, the wise Empress Wu
immediately grasped the essence of the Hua Yan Sutra. The
relationship between the eminent monk and the powerful
empress became even stronger.
In 683, Emperor Gao Zong (高宗),
Empress Wu's husband, died and one of their sons, Zhong
Zong (中宗),
became the new emperor. However, after less than three
months--not even enough time to warm up the throne--he was
demoted to a commoner by his very own mother, who then
promoted her fourth son, Rui Zong (睿宗),
to the throne. However, she excluded the new emperor from
audiences with the ministers and policy-making sessions.
Instead, the empress took charge of everything. In 690,
she impeached the emperor and proclaimed herself the
empress of a new dynasty, the Zhou. She had successfully
held a bloodless coup.
In 697, Fa Zang followed the Zhou army to the north in
an expedition against a nomadic tribe there. The mission
that the empress had given him was to hold Buddhist
rituals to help the army conquer the enemy. Fa Zang agreed
as he felt it was his duty. Near the front line, he set up
a tent and placed a statue of a bodhisattva there, but
instead of Buddhist rituals he carried out folk rituals in
which he waved a sword in his hand and sprinkled chicken
blood around. The horrifying scene did not look very
Buddhist, but it certainly worked as all the soldiers
started to feel blessed. They won the war against their
enemy and proudly returned home. The empress was very
pleased with what Fa Zang had accomplished.
In 697, Empress Wu's daughter introduced a lover, Zhang
Chang-zong (張昌宗),
to her mother, and the man also introduced his brother Yi-zhi
(易之) to the
empress. These two men became the playmates of the aging
empress, and they accompanied and entertained her day and
night. She even included them in her cabinet. The Zhang
brothers were terribly corrupt, but with the empress
supporting them, no one was able to touch them; the
empress even killed a few of her own grandchildren and
banished several senior ministers because of her lovers.
One day in 704, Fa Zang mentioned to the empress that
the Buddha's finger bone was being carefully stored in Fa
Men Temple. The 82-year-old empress often felt she was not
as energetic and healthy as she used to be. Believing the
Buddha's sacred relic could bring her longevity and
blessings, she ordered Fa Zang and several other senior
ministers to bring the bone from the temple and to hold a
ritual for the welfare of the country in Luoyang, the
capital.
A few days later, Fa Zang and the others left the
capital in a huge, magnificent parade. When they arrived
at Fa Men Temple, there were huge crowds of worshippers as
usual. The enormous red candles inside the temple were all
lit, and the large incense burner in the courtyard was
filled with flame and smoke from the large quantity of
incense burned by worshippers. It reminded Fa Zang of when
he was 16 years old and put his finger over a burning
candle, and it was as if it were just yesterday. Some
noise brought him back to reality. He saw that soldiers
had separated the people to the sides, creating a wide,
empty walkway for him and the ministers to enter the
temple.
The bone lay in a reliquary made of gold with
ornamental carving on the outside. While Fa Zang led the
parade back to the capital, people lined up on both sides
of the streets and fervently worshipped the Buddha's relic
as it passed before them. When they reached the capital,
all the officials lined up on both sides of the streets to
welcome the relic. Music and flowers were everywhere, as
if for a grand festival. When the bone had been placed in
the temple, Fa Zang held a grand ritual for the public
welfare. However, the magnificent ceremony failed to bring
the old empress any luck. She fell seriously ill.
Empress Wu's physical condition deteriorated rapidly,
and she went for days without any audience with her
ministers. The ministers started to wonder what the two
Zhang brothers would do after the old empress passed away.
There were even rumors that they would usurp power from
the empress and make themselves the new emperors. To
prevent that from happening, some senior ministers started
planning a coup; they determined that killing these two
men was the best, and only, way to stop them and to
restore the Tang Dynasty.
They recruited as many people as possible to their
side, even Fa Zang. Since he had the privilege to enter
the royal palace and talk with the empress at any time, he
was very influential and very clear about the innermost
affairs in the palace.
Fa Zang was a clever man, and he helped the revolt by
reporting to the ministers what was going on in the inner
palace. In 705, the time had come. The crown prince led
the royal guards into the inner palace and beheaded the
two Zhang brothers. The prime minister, who also joined
the coup, reported to the empress that the crown prince
had ordered them to kill the two Zhang brothers.
The empress could do nothing but abdicate the throne.
The crown prince then became the new emperor and
reinstated the Tang Dynasty. Shortly after the Zhang
brothers died, the new emperor went to see his mother. To
his surprise, the empress seemed to have suddenly aged
very much; there were more wrinkles, and her eyes had lost
all the radiance of vitality. Furthermore, she did not
seem to care about her appearance and she wore no make-up
or jewelry. The emperor felt sorry that his mother had
become so slovenly, but he felt the coup was necessary. In
705, the empress died; the new emperor held a grand
funeral for her and buried her next to her husband,
Emperor Gao Zong. Nothing was written on her huge
tombstone; it was left to history to decide.
After the coup, Fa Zang was seen as one of the top
assistants in making the coup possible, so he was granted
the title of Minister of Aboriginal and Foreign Affairs.
However, he kindly rejected the position and remained as
the abbot of Tai Yuan Temple. Fa Zang had helped Empress
Wu solidify her power in the central government many
times, but it was also this great monk who helped throw
her down from the pinnacle of authority. Life is truly
full of contradiction and paradox. Later, the capital was
moved from Luoyang to Changan, and Fa Zang became the
abbot of Da Jian Fu Temple.
Although
the Hua Yan sect had already had two patriarchs, it was Fa
Zang who actually made it popular in China. Based on the
Hua Yan Sutra, Fa Zang created a new school of Buddhist
philosophy and thought, and thus also a new sect, the Hua
Yan sect. Having a concrete system of thought was one way
to create a new school. The second thing he felt necessary
to establish his sect was to increase his popularity.
There were rumors about extraordinary things such as
earthquakes that happened when he gave talks and the
efficacy of his prayers for rain and for defeating the
enemy. The third way was to make the sect visible
throughout the country. Fa Zang's most visible areas of
activity were in the two capitals of Changan and Luoyang.
To make his sect more noticeable throughout the country,
he appealed to the emperor to build five Hua Yan temples
in major cities around the country. The emperor agreed to
the request and ordered local governments to complete the
projects.
Fa Zang led his disciples to these five places to
oversee the construction of the temples. Afterwards he
returned to Da Jian Fu Temple, where he translated more
sutras. He passed away peacefully at the age of 70 in 712.
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